I went to a sculpture park today in Providencia, a neighbourhood just out of central Santiago. I expected to see some sculptures, but was surprised to find sculpturers as well, and was able to watch the works in progress (for the first time, I think).
I had not noticed it previously, but my metro station this morning had the official (legal) rights of the child hanging on a wall, near some childlike pictures. Apparently, children have legislated rights here since 1990 – although I don’t have any idea whether the law is strictly followed. It’s interesting to me, as Australia does not have a bill of rights for people, be they adults or children.
I have noticed many metro stations are in the process of being decorated at present, although I have not noticed stations with such serious decorations previously.
The sculpture park I visited is a short distance out of the centre of Santiago, opposite a beautifully green bank of the river that contained both a pedestrian path and a bicycle path (which went for 42 km, so it permitted a bicycle marathon). It was not hard to find, as the cyclist in the air gave it away pretty successfully (only one flying cyclist today, not several like yesterday).
I always enjoy outdoor sculptures, even if they don’t make sense to me. I like the idea of big things being planted somewhere because they look interesting for some reason; indeed, it is not always clear from the titles of sculptures what they actually represent, many of them quite abstract. There were some good examples in this case, about twenty or so together on the opposite bank of the ‘river’. I liked these, among others:
I tried hard to find a spot to take a photo of the needle and thread, until I realised it was impossible to avoid there being a glare from the sun (when it is out), because the needle is cylindrical. I had never quite appreciated that before, funnily enough.
Most sculpture parks are pretty quiet, but this one was very noisy, and I realised that something was going on. Then I saw the sign, which gave it away:

When sculptors have a symposium, they don’t sit around talking; they sculpture things! I had inadvertently stumbled upon a bunch (I don’t know the collective noun for sculptors) of international sculptors in the park, making lot of noise, a lot of mess and a lot of dust, but clearly having fun doing it! The picture at the top of this blog shows one of them in action. Here are some other action photos:
I think that the lady in red is Susanne Paucker, one of the sculptors: you can read a little about her in the picture (after you click on it to see an enlarged version). She seemed to be enjoying herself, as this symposium gets underway. That’s also her working on her block at the top of this blog.
Most of the sculptors were using power tools, but some were using traditional tools like hammers and chisels (which made a lot less dust and a lot less noise). They were mostly dressed like space people (to keep down the dust or at least to minimise inhalation of dust). I wasn’t so dressed, and so had a tickle in my throat for the rest of the day: my penance for standing so long to watch.
I noticed that they mostly had made some marks on their blocks of marble, which they maybe did the last couple of days, as the symposium began. It must be a bit daunting to stare at a block of marble and wonder what to do with it. And mistakes are probably hard to correct, giving a whole new meaning to “measure thrice and cut once.” I am now a little disappointed that I will be leaving soon, and won’t see what the end results will be.
As the sculptors each had a block of carrera marble to start with the whole thing reminded me of the wonderful reply of Michelangelo, after someone had heaped praise on his sculptures and marvelled at his skill. He said that he did not deserve any praise, as God himself had made the sculptures; his job was merely to remove the unnecessary bits!
The rest of my day was less interesting than the sculpture park, although I did enjoy a nice stroll and some lunch in leafy parts of Barrio Italia (still thinking about Michelangelo):
I also enjoyed a beer and some tapas late in the afternoon, surprised yet again that the beer was foreign and not Chilean.

But I kept thinking about the sculptors: it must be a great feeling being a sculptor, as many of the works created will live on long after you have gone. Most of us can’t say that about our work.



















